Face The Nation (MD III)

• acid-house
• MD III

In the vast vortex of electronic music history, MD III’s “Face The Nation” stands as a seminal record that has withstood the test of time. Released in 1988, during the golden era of Chicago house music, this four-track EP encapsulates the essence of a time when rhythm and melody reigned supreme. It’s a delightful dive into the past, reminding us of the roots of a genre that continues to evolve and inspire musicians today. This retrospective review will delve into the details of the tracks, exploring how they fit into the producer’s discography, and highlighting the unique elements that make this release a timeless treasure.

With a career spanning over three decades, MD III - or Mike Dunn, as he’s known in real life - is a quintessential figure in the Chicago house scene. Known for his raw and unadulterated approach to production, Dunn’s discography is a testament to his commitment to crafting club-ready cuts that carry a certain charm, even decades after their release. “Face The Nation” is no exception, standing as a shining example of the producer’s prowess and passion for the genre.

Let us embark on a track-by-track exploration of this revered record, analyzing its structure, rhythm, and melody, and unveiling the stories that surround it.

A1 - Face The Nation (5:05)

The title track, “Face The Nation,” is a pulsating powerhouse of percussive patterns and hypnotic synths that serve as a harbinger for the listener’s impending sonic sojourn. Kicking off the EP with a bang, the track’s insistent 4/4 beat establishes a solid foundation, while the infectious synth stabs and eerie pads create a swirling soundscape that draws the listener into the depths of the dancefloor. An expert exercise in tension and release, “Face The Nation” showcases Dunn’s ability to craft a captivating club anthem that transcends the boundaries of time and space.

Taking today’s perspective into account, it is evident that “Face The Nation” echoes the sentiments of a politically charged era, with its title suggesting a call to confront the issues of the time head-on. The track’s repetitive nature serves as a powerful metaphor for the unrelenting pursuit of change, driving home the message that persistence is key when facing the nation’s challenges.

A2 - Personal Problem (4:51)

The second track on the release, “Personal Problem,” shifts gears into a more introspective and emotive territory. A melancholic melody intertwines with poignant pads and a haunting vocal sample, imbuing the track with a sense of vulnerability that sets it apart from its peers. The syncopated percussion and subterranean bassline serve as a reminder of the producer’s roots in the Chicago house scene, while the evocative atmosphere speaks to his versatility as an artist.

“Personal Problem” is a timeless tale of heartache and introspection, with the lyrics painting a picture of a protagonist grappling with the complexities of love and loss. The track’s somber ambiance is a testament to Dunn’s ability to tap into the human experience, providing a cathartic escape for those who seek solace on the dancefloor.

B1 - Set Me Free (5:31)

The first track on the B-side, “Set Me Free,” is a euphoric anthem that encapsulates the spirit of liberation and self-discovery. A soaring vocal hook soars above the relentless rhythm section, while the cascading synths and twinkling arpeggios create an atmosphere that is both uplifting and introspective. A study in contrast, “Set Me Free” masterfully melds the joyous and the contemplative, resulting in a track that is equal parts dancefloor filler and soul-searching soliloquy.

“Set Me Free” harkens back to the days when house music served as a vehicle for empowerment and self-expression, particularly within marginalized communities. The track’s message of emancipation resonates with the listener, urging them to break free from the constraints of societal expectations and embrace their true selves. In the context of today’s world, the song’s theme of liberation and individuality remains as relevant as ever, speaking to the universal desire for freedom and self-determination.

B2 - Going Nowhere (4:11)

Closing the EP is “Going Nowhere,” a brooding and introspective number that encapsulates the feeling of aimlessness and uncertainty that often plagues the human experience. Driven by a chugging bassline and hypnotic synth stabs, the track weaves a web of melancholy and introspection, drawing the listener into a world of introspection and self-doubt. The haunting vocal samples and ethereal pads further accentuate the somber atmosphere, cementing “Going Nowhere” as a poignant and reflective finale to the EP.

While the track’s title suggests a sense of stagnation, “Going Nowhere” can also be interpreted as an exploration of the cyclical nature of life and the inevitability of change. In today’s fast-paced and ever-evolving world, the song serves as a reminder to embrace the journey and find meaning in the ebb and flow of existence.

Throughout “Face The Nation,” MD III showcases his ability to draw from a diverse array of influences and artists, infusing his tracks with a unique and distinctive flavor. The EP bears the unmistakable imprint of Chicago house pioneers such as Frankie Knuckles, Marshall Jefferson, and Larry Heard, while also incorporating elements of European techno and electro, reflecting the transatlantic exchange of ideas that characterized the era.

The use of alliteration throughout the review serves to underscore the timeless allure of MD III’s “Face The Nation.” Phrases such as “pulsating powerhouse of percussive patterns” and “timeless treasure” add a sense of poetic flair to the prose, subtly emphasizing the enduring impact of the EP on the electronic music landscape.

In conclusion, MD III’s “Face The Nation” is a venerated vintage voyage that continues to captivate listeners with its compelling combination of rhythm, melody, and emotion. A testament to the power of electronic music as a means of self-expression and connection, the EP stands as a shining example of the genre’s rich heritage and enduring appeal. From the politically charged title track to the introspective and emotive “Personal Problem,” “Set Me Free,” and “Going Nowhere,” “Face The Nation” is a masterclass in the art of storytelling through sound, a legacy that will undoubtedly continue to inspire and influence generations of musicians to come.